I just met Zameer, the son of my “Aunty” Haseena’s (sister of Ruxana), for the first time in quite a few years. I definitley have some fond memories of this guy and his incredible idiosyncrasies. He is a music nut and I’m looking forward to see how he takes to some of the stuff I’ve accumulated over the years. When I was in India 13 years ago I asked him to keep repeating Right Said Fred’s “I’m Too Sexy,” as we drove in his car for ice cream in Bombay. And what did I spread his way when he came to Cali around the same era? Well, it’s a little embarrassing, but this is what he said last night. “Revaz, I listen to retro man. I am compiling a library of hits from 1950-1989. And you are the one who got me hooked on that Michael Bolton song ‘Steel Bars’.” And then he proceeded to sing it so that his wife and mother knew what he was talking about. “Steel bars wrapped all around me, I’ve been your prisoner since the day you found me…” I felt that mixture of embarrassment and humor when he told me this. I swear it was 1990. I was in 4th or 5th grade and I liked that fabio looking dude along with Huey, Debbie, Hall & Oates (they are still great), Chicago, etc. Some of that 80s stuff is still fantastic, but most of it just doesn’t live like it used to. Much like how I used to love Dave Matthews and the magical feeling I would get from seeing him live…not anymore.
I like to think back to the time of when I was 12 years and the evolving that has occurred in my life so far, whether it has to do with musical tastes, styles, morals, friends, etc etc… My earliest influence had to have been my father with jazz and pop: Frank Sinatra, Glenn Miller, Gloria Estefan, Madonna, and Sammy Davis Jr. to name a few. I proceeded to listen to 101.3 and loved 80s pop for a couple years. In junior high, I started watching MTV (Dre, Onyx, Salt N’ Pepa) and listening to a lot of Gangsta Rap, which influenced my style and character a lot. Oatey and I would take the bus home from Walnut Creek Intermediate, where we would hassle the Coelho brothers and make fun of this girl with the rest of our buddies. After getting off the the bus we we go to Thrifty’s and Longs for our daily “five finger discounts.” We had a strategy that was absolutely brilliant: Our khakis were baggy enough to where we could peg the bottoms into the socks and the pants would still hang over to the sole of the shoes…We would walk in, cruise the isles and everything was for the taking- cool water cologne, baseball cards, candy, and toiletries. Any of these items could be dropped down our pants and stay unoticed by employees ’cause of the ripples in our baggy Old Navy Khaks. We would then walk back to either of our houses and make a mix tape of the latest stuff: 2pac, Too $hort, Domino, Mac Mall, Coolio, Ice Cube, Dre & Snoop, and NWA. This is where my love for making compilations all began. We would then grab some kudos, the new beats, and a boom box and bring it all out to the b-ball court. These were the days when I had some game and a great outside shot (that got lost just a couple years later)… I usually skooled fools like Oatey (haha, sucka), unless we were playing for tangible goods like a Potna Duece tape. If Oatey has something to lose, be it money at a Pa Soy Dos card game or an album, he will elevate game 10-fold.
The gangasta rap genre defined junior high and high school for me and most of my friends. For us suburban well-to-do kids, it allowed us to relate to the contradictory “oppressive/glamorous” lives of rappers from Oakland, Vallejo, and L.A. And during my ganja blowing days of high school, Mac Dre and R.B.L., helped me relate to the slangin’, gangsta minded, dont’ gimme no bammer type of lifestyle.
Independent/Underground hip-hop hit me with the swiftness post-high school. Talib Kweli’s “Train of Thought”, Zion I’s “Mind Over Matter,” Blackalicous’ “NIA,” and Atmosphere’s “Lucy Ford” all hit me in the span of a year. This is where my appreciation for lyricism, original rhyme pattern, and superb production took form. A web of people was created who were all taken back by this sudden surge of mind blowing artists. The fact that they were hidden from the mainstream and were staying true to independent record labels was what gave them even more respect and clout. Groups like Living Legends and Crown City Rockers, who could rock a show and prove themselves live gained even more. This was around 1999-2003…The years that hip-hop really expanded and brought us so much- these artists had strayed from the now regeritated “bitches, blunts, 40s” storytelling to a more conscious, positive approach…but in my opinion the dip happened shortly after. Very few of these artists have maintained a high caliber of work. Their last couple albums have either been garbage or they finally sold out for commercialism. I try to be positive about artists becoming popular, but losing the qualities that I loved you for….well, now that’s just wrong…
Luckily for me, I lived with some people in the last couple years, who revolutionized what I listen to. Even before moving to San Diego, I heard a handful of incredible albums via the Salamanca crew. My homie Alex de La Cruz gave me Radiohead’s “Kid A”, Quasimoto ‘The Unseen”, and DJ Shadow’s “Endtrucing”, all while we wandered the streets of Spain. Gabe McNatt from Texas A&M, who lived with me in Summer 03′, gave me an immense introduction into the indie rock genre with artists like Doves, Wilco, Elefant, and Grandaddy. Nathan Sizemore tossed me The Kings of Convenience, Royksopp, Tommy Guerrero, Stars, Parsley Sounds, and 50 others…
A Matt Scovill once said, “Spreading stories of travel is the currency to friendship.” This may ring true, but I think it’s “Spreading great tunes make for a endless friendship,” and this has caused me to consistently ask people, “So what what have you been listening to lately?”
Well, finally trailing far behind the footsteps of kexp.org, pitchforkmedia.com, NPR, and homies El Oso, El Moreno, and the Great Gabe McNatt… I shall now present my favorite bands/artists of 2004. I’m still a sucker for that sappy music, just like when I was 12, listening to Bolton and Bryan Adamns.
1) Death Cab For Cutie: Ben Gibbard is an incredibly original lyricist and his versatility is of the utmost. This is clearly seen by looking at all the work he has compiled during the past few years. The fusion of indie rock and electronica with his group DNTEL, led to the birth of The Postal Service, whose album “Give Up” broke into the mainstream this last year. Death Cab is his purely indie-emo rockin ‘group, which has 5 or 6 albums. The two most recent- “The Photo Album” and “Transatlanticism” are both superb and I haven’t been able to get enough of either. The tracks “Information Travels Faster” and “Title and Registration” are both work checking out. I could probably say that one of the reasons for this BLOG being called “melancholic elation” is because of them. In 2004, I became fully aware of my desire to feel melancholy almost as much as happiness. In Milan Kindera’s “Unbearable Lightness of Being” (redundant, I know Oso), the main character is walking down the street in Prague…he is feeling a longing for a former love but in the process he is also enjoying the intensity of the nostalgia and the fact of walking around as a free man in a beautiful city. I too, came to realize that melancholy doesn’t have to be a sad…it can be a joyful emotion and music can help trigger it.
2) The Kings of Convenience - These guys are a Norwegian duo and I think they are abolutely brilliant and fantastic. They are pretty mellow like Belle and Sebastian, but I find them to excel far beyond. Some people have said their voices get a little old. I understand, but completely disagree. I think thier voices are quite soothing, especially in unison, and their lyrics are exceptional. Their first album is “Quiet is the New Loud.” This is a very solid, consistent effort, but the remix album called “Versus” is what really struck me. What you basically have are excellent electronic, danceable beats done by some of the best groups in Europe (i.e. Royksopp & Four Tet) with the voices of The Kings over it. Their latest album to drop in 2004 “Riot on an Empty Street,” is another gem. It’s pretty chill for the most part, but they quicken it up with more piano, drums, and violins. Tracks like “Misread” and “I’d Rather Dance With You” (You know you wanna sing along Roch!) are brilliant.
3) The Stills - Gabe dropped by SD on his way back to College Station, Texas after going to Coachella. He threw the album “Logic Will Break Your Heart” into the car deck and I instantly dug it. They have a good rockin’ sound with nice electric riffs and lyrics like “The sordid way her loaded phrases infiltrate your skull,” on the track “Gender Bombs.”
4) Lali Puna - A German electronic group with subtle-soft female vocals. They also have incredible electric guitar riffs, bridging the indie-electronica divide. Their 2004 album is “Faking the Books.” Some of the members are also in The Notwist. S Dot sent me both their albums sometime in October and “Neon Golden” quickly grabbed me. The track “Consequence” is especially dope.
5) Air - Everytime I hear “Talkie Walkie” now it brings me back to January last year in SD. Living with Nate and Harmony was truly a fantastic experience. This album reminds me of the winter, the cold floor in the morning, turning the kettle on, and a special person in my life during that time…
6) Broken Social Scene - Another Gabe/Nate pick. This band had mad talent with their 15 members (Some from Stars who are so cool. Stars’ “Heart” should really be on here). I don’t really like the very rockin’ material on here, but preferring the chill instrumentals with soft vocals. But that’s me right?
7) The Decemberists - Hard to like the vocalists’ voice sometimes. But his lyrical originality and the orchestration of trumpets, violins, harmonicas, guitars, and drums are excellent. “The Gymnast High Above the Ground”, peep it.
8) Dzihan & Kamien - Austrian DJs with a 15 piece orchestra sounding like Thievery Corporation. “Gran Reserva” is their studio album and I prefer it to the “Live in Vienna” album that became pretty popular in 04′. The best thing about world electronic music like this is that it breaks through generational boundaries. Thievery, Saint Germain, and these guys both get two thumbs, a grin, and an eye brow raise from the pops.
9) The Foreign Exchange - Netherlands/US hip-hop. The most refreshing hip-hop I heard this year because th production is soulful-R&B and electronic.
10) Wilco- Gabe calls Wilco “The most important band of our time. The music we will be playing for our kids” I like that. “Yankee Hotel Foxtrot” is a masterpiece and its something that has gotten much love by me over the past few years. Folky, indie, country-y. I wasn’t really digging “A Ghost is Born” when I first got it and Oso is giving me hell now that I say I like it. “War on War”, “Heavy Metal Drummer,” and “Handshake Drugs”. Greg Paulson, what are handshake drugs?
11) Communique- Via S Dot… A fun album like what Elefant’s “Sunlight Makes me Paranoid” was for 2003.
12) Mogwai - The E.Ps album…….Steve, my neighbor in Mission Hills threw this on one late night after some beer drinking. It soon became the melancholic late night anthem music.
13) Boards of Canada - My “let’s grab cup of joe at Gelato Vera with a labtop, headphones, a pink-orange sunset over the San Diego airport, and some post-college thoughts album.” Its called “In a Beautiful Place Out in the Country.”
14) Frou Frou - Heard her first on The Garden State soundtrack, the best soundtrack from my favorite flick of 2004. She has an incredible voice and the production is of equal status.
15)m83 - The most innovative album of 2004. You'’ have to read about them somewhere else because I can’t do them justice.
16) Misc. Hip-hop: Maroons - “Ambush”, Mos Def - “The New Danger”, The Roots - “The Tipping Point”, and Crown City Rockers - “Earthtones”: They are all pretty solid efforts and Mos Def is the Andre 3000 of 2004 due to his creativity in this multi-genre album.
17) The Arcade Fire- I finally got their full album “Funeral” two weeks ago and am starting to finally appreciate the incredible hype it has gotten.
18) A worthy mention goes to The Shins- “Chutes Too Narrow,” Thievery Corporation-”The Outernationalist Sound,” and JohnVanderslice- “Cellar Door” (which Gabe hit right on when he said “an excellent attempt at songwriting.”